Let’s pretend for a moment that you didn’t pass high-school English by the skin of your teeth and you actually spent some quality time with the poems of Emily Dickinson, specifically this one:
Fame is a fickle food
Upon a shifting plate
Let’s pretend for a moment that you didn’t pass high-school English by the skin of your teeth and you actually spent some quality time with the poems of Emily Dickinson, specifically this one:
Fame is a fickle food
Upon a shifting plate
Of this blog’s massive readership (19 and counting!) I’d hazard a guess that no more than two of you would have the slightest idea who I’m referring to when I drop the name John Frankenheimer. Which is quite amazing considering he was widely considered an auteur, his direction of four classics in succession back in the early 1960s–Birdman of Alcatraz (1962), The Manchurian Candidate (1962), Seven Days in May (1964) and The Train (1964)–a singular run.