In Part One, which I’m sure provided you with a drug-like high that’s yet to wear off, we covered foot chases in such varied films as The Last of the Mohicans, Raising Arizona, The Third Man, Point Break and The Bourne Ultimatum. Let’s dig right into six more, including the CFS’s choice as Greatest of All Time.
Tag Archives: Spielberg
Anatomy of a Scene: “CE3K” Edition
The recent release of Star Wars: The Force Awakens and the passing of Vilmos Zsigmond, one of the great cinematographers, got me thinking about the two groundbreaking science fiction epics released back in 1977, George Lucas’ original Star Wars (eventually subtitled Episode IV: A New Hope upon its 1981 theatrical re-release) and Steven Spielberg’s Close Encounters of the Third Kind (the only movie for which Zsigmond received an Academy Award,
The Art of the Reveal: “War of the Worlds” Edition
Back in 2004, director Steven Spielberg decided the time was ripe to remake the granddaddy of all hostile alien narratives, H.G. Wells’ The War of the Worlds, the 1898 serialized novel telling the story of a Martian invasion as seen through the eyes of an unnamed narrator based in Surrey and his younger brother, based in London. This would be quite a departure for
Great Endings (Pt. 1)
As with any narrative art form, crafting a satisfying ending to movie is a tricky proposition. Even the strongest works can fall victim to a last few minutes that don’t quite follow through on the promise that preceded them. And while I don’t think a weak ending totally ruins a good movie, it certainly can leave you feeling a bit cheated. One such example, for me, at least, involves